It’s official; the S.S. Traptanic has hit an iceberg and is quickly sinking. Just like what happened to moombahton, trap is now on an unavoidable crash course into the icy waters of the mainstream. It was fun while it lasted.
The RE:GENERATION series is for an upcoming documentary that shadows a handful of distinguished electronic artists as they remix, re-create and reimagine five traditional styles of music.
The RE:GENERATION series is for an upcoming documentary that shadows a handful of distinguished electronic artists as they remix, re-create and reimagine five traditional styles of music.
So I’ve been trying my best to deal with this Wi-Fi that’s shittier than a Coachella porta-potty and just got a hold of some semi-reliable internets. Excuse the hiatus of beats and rhymes but throw on yer good headphones.
Bassex is quickly becoming one of my favorite dubstep producers. Here he takes Wolfgang’s ‘The Champ’ and dubstep-erizes it. Wolfgang’s sound is only a few steps away from dubstep and I wouldn’t be mad to hear more remixes like this.
Unreleased track from Pac Div, featuring Asher Roth. The rattlin’ bass sounds like something Chuck Inglish cooked up in the kitchen. Like, Mibbs, and BeYoung deliver solid punchlines with the added effect of an audience on the beat. Asher goes in as he has been lately — haven’t really heard a verse I don’t like from him in a while. Hatin is useless.
These two collaborating is probably pretty bad for the ozone layer. Emission levels of filth pretty high. They take the intro to La Di Da Di and twist it around Bassnectar‘s signature rhythmic basslines and Datsik‘s thizz-face inducing w0mp. Nicely blended.
This is the first release of the much anticipated Re:generation project. Skrillex and The Doors get together to fuse eras here as the first of many artists from different time periods collaborating. I think they did a pretty damn good job of utilizing the common themes/sound between rock and dubstep. Skrillex crafts his thumping bassline with some guitar work and vocal snippets from who I believe to be Jim Morrisson. I could be 100% fucking that up though. One of the best Skrillex releases this year IMO.
The homies Gooffee released another jam yesterday and it’s a good’un. Samples Ram Jam’s “Black Betty” which interestingly works really well. They’ve got the whole moombah-dub-core-whateverthefuck down pat. You’re able to groove and get down and dirty at the same time. Check out the video interview we did with them a little while back.
So I’ve been trying my best to deal with this Wi-Fi that’s shittier than a Coachella porta-potty and just got a hold of some semi-reliable internets. Excuse the hiatus of beats and rhymes but throw on yer good headphones.
Bassex is quickly becoming one of my favorite dubstep producers. Here he takes Wolfgang’s ‘The Champ’ and dubstep-erizes it. Wolfgang’s sound is only a few steps away from dubstep and I wouldn’t be mad to hear more remixes like this.
Unreleased track from Pac Div, featuring Asher Roth. The rattlin’ bass sounds like something Chuck Inglish cooked up in the kitchen. Like, Mibbs, and BeYoung deliver solid punchlines with the added effect of an audience on the beat. Asher goes in as he has been lately — haven’t really heard a verse I don’t like from him in a while. Hatin is useless.
These two collaborating is probably pretty bad for the ozone layer. Emission levels of filth pretty high. They take the intro to La Di Da Di and twist it around Bassnectar‘s signature rhythmic basslines and Datsik‘s thizz-face inducing w0mp. Nicely blended.
This is the first release of the much anticipated Re:generation project. Skrillex and The Doors get together to fuse eras here as the first of many artists from different time periods collaborating. I think they did a pretty damn good job of utilizing the common themes/sound between rock and dubstep. Skrillex crafts his thumping bassline with some guitar work and vocal snippets from who I believe to be Jim Morrisson. I could be 100% fucking that up though. One of the best Skrillex releases this year IMO.
The homies Gooffee released another jam yesterday and it’s a good’un. Samples Ram Jam’s “Black Betty” which interestingly works really well. They’ve got the whole moombah-dub-core-whateverthefuck down pat. You’re able to groove and get down and dirty at the same time. Check out the video interview we did with them a little while back.
The homie Skinny Genes started his weekly YOLO Lists with the intention to open your minds and ears to every genre of music — the idea being that life’s too short to hate on a type of music until you realize that you actually enjoy it. So when artists from different ends of the spectrum come together in harmonious musical innovation, it makes the process much easier for us. Recently, the trend has been combining hip-hop and different paces of electro; producers see it as a logical gap to forge together the two most popular genres. There’s parts of both that agree thematically with a grungy DIY feel. Both are not apprehensive about hard hitting drums. With a few exceptions (HoVeezy/ChiddyBang), it’s been low-key MCs trying to make a name and using the concept as a niche. But a few songs have been released over the past week with legitimate names in the game (not Sam Adams) that’s led to giving it further thought. Of the three, it’s most apparent to me that Joker‘s style meshes best with rhymes; I’ve yet to determine whether it’s a healthy relationship though. If you guys have any solid collabs that have pleased your ears drop em off in the comments prz. Is this a matrimony that needs a divorce or just some serious counseling? Don’t be shy with yer opinions.
The homie Skinny Genes started his weekly YOLO Lists with the intention to open your minds and ears to every genre of music — the idea being that life’s too short to hate on a type of music until you realize that you actually enjoy it. So when artists from different ends of the spectrum come together in harmonious musical innovation, it makes the process much easier for us. Recently, the trend has been combining hip-hop and different paces of electro; producers see it as a logical gap to forge together the two most popular genres. There’s parts of both that agree thematically with a grungy DIY feel. Both are not apprehensive about hard hitting drums. With a few exceptions (HoVeezy/ChiddyBang), it’s been low-key MCs trying to make a name and using the concept as a niche. But a few songs have been released over the past week with legitimate names in the game (not Sam Adams) that’s led to giving it further thought. Of the three, it’s most apparent to me that Joker‘s style meshes best with rhymes; I’ve yet to determine whether it’s a healthy relationship though. If you guys have any solid collabs that have pleased your ears drop em off in the comments prz. Is this a matrimony that needs a divorce or just some serious counseling? Don’t be shy with yer opinions.
Captain Skrillex just set sail on the S.S. Bass Music and its destination just so happens to be right here! I vividly remember this song surfacing at the beginning of his EDC set earlier this summer. Partly because I was front and center and have a video of it (below)…I feel like a broken record when it comes to Skrillex because just when it seems like you’ve heard it all, he goes on and releases a banger like this. Taking true filth and grime to a level that is the .01% Purel can’t destroy. I wish I had high quality speakers at my peril right now, because this song is fat as f*ck. Hopefully you’re in a better place.
Skrillex – Right Here (Original Mix) Removed by request
FULL POST
Captain Skrillex just set sail on the S.S. Bass Music and its destination just so happens to be right here! I vividly remember this song surfacing at the beginning of his EDC set earlier this summer. Partly because I was front and center and have a video of it (below)…I feel like a broken record when it comes to Skrillex because just when it seems like you’ve heard it all, he goes on and releases a banger like this. Taking true filth and grime to a level that is the .01% Purel can’t destroy. I wish I had high quality speakers at my peril right now, because this song is fat as f*ck. Hopefully you’re in a better place.
Skrillex – Right Here (Original Mix) Removed by request
Surprise, surprise. Skrillex is back with more tracks for us and right in time for summer! The songs in this preview really had me put a lot more faith in Skrillex’s production abilities. New sounds. Same grime. Fatter bass. It’s been up for three days and he’s already got almost half a million views. There’s no denying this guy’s talent. Really surprises me that people talk so much shit. Hater’s gon hate though, that is for sure. Here’s what he said about the preview:
“Here’s a preview of my next mini Ep coming out. 3 new tracks and 4 new remixes of SM&NS that are a bit more experimental. It comes out on beatport june 7th so please take note and support the release! If ya have a couple spare bucks then please buy the tracks, if not then just torent them. Most important thing is that yal get the music, but the extra support always helps”
Tracklist
1. First of the Year (Equinox)
2. Ruffneck (Flex)
3. Ruffneck (FULL Flex)
4. Scary Monsters and Nice Sprites (Dirtyphonics Remix)
5. Scary Monsters and Nice Sprites (Phonat Remix)
6. Scary Monsters and Nice Sprites (The Juggernaut Remix)
7. Scary Monsters and Nice Sprites (Kaskade Remix) need. (it’s 1:50 in the video)
FULL POST
Surprise, surprise. Skrillex is back with more tracks for us and right in time for summer! The songs in this preview really had me put a lot more faith in Skrillex’s production abilities. New sounds. Same grime. Fatter bass. It’s been up for three days and he’s already got almost half a million views. There’s no denying this guy’s talent. Really surprises me that people talk so much shit. Hater’s gon hate though, that is for sure. Here’s what he said about the preview:
“Here’s a preview of my next mini Ep coming out. 3 new tracks and 4 new remixes of SM&NS that are a bit more experimental. It comes out on beatport june 7th so please take note and support the release! If ya have a couple spare bucks then please buy the tracks, if not then just torent them. Most important thing is that yal get the music, but the extra support always helps”
Tracklist
1. First of the Year (Equinox)
2. Ruffneck (Flex)
3. Ruffneck (FULL Flex)
4. Scary Monsters and Nice Sprites (Dirtyphonics Remix)
5. Scary Monsters and Nice Sprites (Phonat Remix)
6. Scary Monsters and Nice Sprites (The Juggernaut Remix)
7. Scary Monsters and Nice Sprites (Kaskade Remix) need. (it’s 1:50 in the video)
