Album Review

So I’m about to commence the end of the year activities, and I’m happy to have finally decided on which albums made 2010 that much more memorable. I put together all the albums I picked up this year (which came to 40) and broke it down to a top 20. For the past couple weeks I’ve been shuffling through nothing but these albums to try and make it easier to decide which albums came out on top. Definitely didn’t help as much as I would have liked, because this was an especially monumental year for music. Maybe it’s just me. All these albums are worth a run through. Be safe in your year ending endeavors! Here’s to my last post of the year:

Top 10 of 2010

10. WavvesKing of the Beach (Surf Rock/Alternative/Punk)

Wavves ditches his old lo-fi sound and brings about a newer, clearer, more fresh look at his unique style in his third project. Throws in a some electronic samples and rocks out through the whole album. Tries to make it apparent that he DGAFs, so let it be known that he actually doesn’t.
Wavves – Green Eyes

9. Beach FossilsBeach Fossils (LoFi/Indie/Surf)

It’s a sunny, mellow day and you’re wanting to have some “you” time as you lounge on the sand at the beach. This album is all the company you need. Brings about some positive, nostalgic vibes and is bound to make you appreciate the little things.
Beach Fossils – Youth

8. Ty SegallMelted (Rock/LoFi/Punk)

Oh man, Ty’s third and best album yet. A rock lovers dream come true in the form of an eleven song LP. Just makes you want to get drunk and break beer bottles on your downstairs neighbors patio…not that I’ve done that before or anything.
Ty Segall – Girlfriend

7. RatatatLP4 (Electronic/Indie/Alternative)

The dynamic duo from New York came at us harder than ever with this release. They blessed us with the fourth installment of their guitarriffic, electron-tastic classic sound that had us hooked with “Seventeen Years,” “Wildcat” and “Loud Pipes” to name a few. They have a style of producing beats that’s unparalleled by any one else I’ve heard. This album doesn’t have singles to the magnitude of the songs I listed, but overall tops any of their other projects. Definitely my first choice of music when it came to sneaking my iPod into midterms and finals. Big thanks to helping me get those A’s, boys. LP4 flows from beginning to end with really sweet samples and an overall sound that’s come together better than ever before.
Ratatat – Party With Children

6. HarlemHippies (Rock/LoFi/Indie)

These guys took me by complete surprise when they entered the depths of my library nearly a year ago. Harlem hails from Austin, Texas, where the beer runs like water and “discretion” is sharpied out of any dictionary you can get your hands on. The carefree and YOLO attitude seeps through your speakers as their chanting voices and free spirited jams nestle comfortably on your ear drums. It’s all about a good time with Harlem, and I’m definitely looking forward to future hangovers with them playing in the background.
Harlem – Gay Human Bones

5. Born RuffiansSay It (Indie/Alternative/Rock)

Undoubtedly my most anticipated album of the year. After I fell in love with their first full length Red, Yellow & Blue, my expectations were higher than normal on this release. Although this album didn’t match up to the former, it sheds lights on their more developed sound. Luke Lalonde’s voice will woo you even against your utmost resistance. They rock about love, good times, and the bullshit we go through every day. Born Ruffians are on our side! I got to finally see them at the Troubador, and I snagged a video that pretty genuinely encompasses their glory. Check it out here.
Born Ruffians – Nova-Leigh

4. Arcade FireThe Suburbs (Indie/Alternative/Rock)

There’s nothing like expecting the world and getting back the solar system in return. Arcade Fire always leaves me feeling like happiness is as easily attainable as pressing “play” at the beginning of one of their albums. The Suburbs is more than an album. It’s a story about life. It’s a vacation right on the borders of your comfort zone. It’s everything we could have asked for from an all ready established band. They had nothing else to prove, but went on and proved it anyway. STRONGLY recommend their debut album Funeral as well if you haven’t heard it yet, for whatever reason.
Arcade Fire – The Suburbs

3. The GrowlersAre You In Or Out? (Surf/Rock/Psychadelic)

Costa Mesa’s very own makes it into the top 3! I wasn’t sure where I was going to end up putting these guys, but it didn’t take more than a few tracks to remind me just how beautifully they came together on this album. Are You In Or Out? is the Growlers first legit complete album. It seems as though they got more serious with this one, and it paid off in more ways than one. The Growlers sound like they’re straight out of beach craze era of the 70s..except on a whole lot more drugs with back to back handle pulls of Jim Beam. Their timeless sound makes it enjoyable for most, but necessary for the people who’ve been following them for the past few years. Don’t be surprised if you start fiending their sound after a few listens.
The Growlers – Acid Rain

2. The Black KeysBrothers (Rock/Blues)

When I first got the Black Keys discography a few years back, I didn’t really know where to start. They have a handful of albums which always makes it overwhelming when you want to get a feel for a new band’s sound. All the years of soulful blues, outrageously creative guitar rifts and toe-tapping drum beats have prepared them to produce a rock album that ranks among some of the best I’ve ever heard. Brothers is the perfect intro for the virgin ears of someone who’s been robbed of hearing the true glory of extraordinary rock talent that is the Black Keys. I wanted so badly to put this at #1, but it’ll have to take a loss by a hair to the next album.
The Black Keys – Everlasting Light

1. DeerhunterHalcyon Digest (Art Rock/Indie/Psychadelic)

It didn’t take long after I decided I wanted to make a “top 10” for me to realize that Halcyon Digest was going to be #1. After finding out about Deerhunter last year and listening to their former album Microcastle, I wasn’t expecting to ever truly get into them. There was something missing. Something I didn’t understand. Something that I could feel was there, just didn’t know what or why I felt that way. Bradley Cox’s voice was all I had to make sense of the acid trip sound atop the catchy guitar and bass riffs they weave through your ears and into your mind. Halcyon Digest was the missing piece that put everything into perspective. The album starts off with “Earthquake” that could have easily been omitted from the final project, but goes on to 10 tracks that have something different to attach yourself to. Halcyon Digest is an album for the human. The joys of life become highlighted through tracks like “Don’t Cry” and “Revival.” What goes up must come down. Bradley makes this clear with tracks like “Sailing” and “He Would Have Laughed.” The “he” is most likely referring to former garage rock icon and good friend Jay Reatard who passed away weeks before the release of the complete album. Deerhunter attacks all angles of life and what is inevitably encountered on everyone’s journeys. I’ve said it before, I’ll say it again: this album is necessary for anyone with ears.
Deerhunter – Revival

-Skinny Genes

FULL POST

So I’m about to commence the end of the year activities, and I’m happy to have finally decided on which albums made 2010 that much more memorable. I put together all the albums I picked up this year (which came to 40) and broke it down to a top 20. For the past couple weeks I’ve been shuffling through nothing but these albums to try and make it easier to decide which albums came out on top. Definitely didn’t help as much as I would have liked, because this was an especially monumental year for music. Maybe it’s just me. All these albums are worth a run through. Be safe in your year ending endeavors! Here’s to my last post of the year:

Top 10 of 2010

10. WavvesKing of the Beach (Surf Rock/Alternative/Punk)

Wavves ditches his old lo-fi sound and brings about a newer, clearer, more fresh look at his unique style in his third project. Throws in a some electronic samples and rocks out through the whole album. Tries to make it apparent that he DGAFs, so let it be known that he actually doesn’t.
Wavves – Green Eyes

9. Beach FossilsBeach Fossils (LoFi/Indie/Surf)

It’s a sunny, mellow day and you’re wanting to have some “you” time as you lounge on the sand at the beach. This album is all the company you need. Brings about some positive, nostalgic vibes and is bound to make you appreciate the little things.
Beach Fossils – Youth

8. Ty SegallMelted (Rock/LoFi/Punk)

Oh man, Ty’s third and best album yet. A rock lovers dream come true in the form of an eleven song LP. Just makes you want to get drunk and break beer bottles on your downstairs neighbors patio…not that I’ve done that before or anything.
Ty Segall – Girlfriend

7. RatatatLP4 (Electronic/Indie/Alternative)

The dynamic duo from New York came at us harder than ever with this release. They blessed us with the fourth installment of their guitarriffic, electron-tastic classic sound that had us hooked with “Seventeen Years,” “Wildcat” and “Loud Pipes” to name a few. They have a style of producing beats that’s unparalleled by any one else I’ve heard. This album doesn’t have singles to the magnitude of the songs I listed, but overall tops any of their other projects. Definitely my first choice of music when it came to sneaking my iPod into midterms and finals. Big thanks to helping me get those A’s, boys. LP4 flows from beginning to end with really sweet samples and an overall sound that’s come together better than ever before.
Ratatat – Party With Children

6. HarlemHippies (Rock/LoFi/Indie)

These guys took me by complete surprise when they entered the depths of my library nearly a year ago. Harlem hails from Austin, Texas, where the beer runs like water and “discretion” is sharpied out of any dictionary you can get your hands on. The carefree and YOLO attitude seeps through your speakers as their chanting voices and free spirited jams nestle comfortably on your ear drums. It’s all about a good time with Harlem, and I’m definitely looking forward to future hangovers with them playing in the background.
Harlem – Gay Human Bones

5. Born RuffiansSay It (Indie/Alternative/Rock)

Undoubtedly my most anticipated album of the year. After I fell in love with their first full length Red, Yellow & Blue, my expectations were higher than normal on this release. Although this album didn’t match up to the former, it sheds lights on their more developed sound. Luke Lalonde’s voice will woo you even against your utmost resistance. They rock about love, good times, and the bullshit we go through every day. Born Ruffians are on our side! I got to finally see them at the Troubador, and I snagged a video that pretty genuinely encompasses their glory. Check it out here.
Born Ruffians – Nova-Leigh

4. Arcade FireThe Suburbs (Indie/Alternative/Rock)

There’s nothing like expecting the world and getting back the solar system in return. Arcade Fire always leaves me feeling like happiness is as easily attainable as pressing “play” at the beginning of one of their albums. The Suburbs is more than an album. It’s a story about life. It’s a vacation right on the borders of your comfort zone. It’s everything we could have asked for from an all ready established band. They had nothing else to prove, but went on and proved it anyway. STRONGLY recommend their debut album Funeral as well if you haven’t heard it yet, for whatever reason.
Arcade Fire – The Suburbs

3. The GrowlersAre You In Or Out? (Surf/Rock/Psychadelic)

Costa Mesa’s very own makes it into the top 3! I wasn’t sure where I was going to end up putting these guys, but it didn’t take more than a few tracks to remind me just how beautifully they came together on this album. Are You In Or Out? is the Growlers first legit complete album. It seems as though they got more serious with this one, and it paid off in more ways than one. The Growlers sound like they’re straight out of beach craze era of the 70s..except on a whole lot more drugs with back to back handle pulls of Jim Beam. Their timeless sound makes it enjoyable for most, but necessary for the people who’ve been following them for the past few years. Don’t be surprised if you start fiending their sound after a few listens.
The Growlers – Acid Rain

2. The Black KeysBrothers (Rock/Blues)

When I first got the Black Keys discography a few years back, I didn’t really know where to start. They have a handful of albums which always makes it overwhelming when you want to get a feel for a new band’s sound. All the years of soulful blues, outrageously creative guitar rifts and toe-tapping drum beats have prepared them to produce a rock album that ranks among some of the best I’ve ever heard. Brothers is the perfect intro for the virgin ears of someone who’s been robbed of hearing the true glory of extraordinary rock talent that is the Black Keys. I wanted so badly to put this at #1, but it’ll have to take a loss by a hair to the next album.
The Black Keys – Everlasting Light

1. DeerhunterHalcyon Digest (Art Rock/Indie/Psychadelic)

It didn’t take long after I decided I wanted to make a “top 10” for me to realize that Halcyon Digest was going to be #1. After finding out about Deerhunter last year and listening to their former album Microcastle, I wasn’t expecting to ever truly get into them. There was something missing. Something I didn’t understand. Something that I could feel was there, just didn’t know what or why I felt that way. Bradley Cox’s voice was all I had to make sense of the acid trip sound atop the catchy guitar and bass riffs they weave through your ears and into your mind. Halcyon Digest was the missing piece that put everything into perspective. The album starts off with “Earthquake” that could have easily been omitted from the final project, but goes on to 10 tracks that have something different to attach yourself to. Halcyon Digest is an album for the human. The joys of life become highlighted through tracks like “Don’t Cry” and “Revival.” What goes up must come down. Bradley makes this clear with tracks like “Sailing” and “He Would Have Laughed.” The “he” is most likely referring to former garage rock icon and good friend Jay Reatard who passed away weeks before the release of the complete album. Deerhunter attacks all angles of life and what is inevitably encountered on everyone’s journeys. I’ve said it before, I’ll say it again: this album is necessary for anyone with ears.
Deerhunter – Revival

-Skinny Genes

Click to Download

Gorillaz front man Damon Albarn released the long awaited “iPad album” we were hearing about earlier this Fall on Christmas day for free. A very merry Christmas indeed! The entire album was recorded while on their American tour on nothing but an iPad. I’m still going through it as I post. Haven’t been blown away necessarily, but it’s a pretty cool concept to think about as you listen.

Albarn was quoted, “I wanted to make sure that it came out at the end of the tour because I don’t want anyone to think I’d tampered with it. I literally made it on the road in America over a month. I didn’t write it before; I didn’t prepare it. I just did it day by day as a kind of diary of my experience in America. If I left it until the New Year to release it, then the cynics out there would say, ‘Oh well, it’s been tampered with.’ But if I put it out now, they’d know that I haven’t done anything because I’ve been on tour ever since.”

Sweet deal if you ask me. I wasn’t really into Plastic Beach, so I’m hoping this gives me a little something extra. All the while, I’m keeping my expectations low because he did put minimal effort into it overall..or so it seems. The tracklist on the album website breaks it down to where he was as he laid down a track. Lovin’ the free music that’s been coming out lately! Including but not limited to the Klaxons release of Landmarks of Lunacy that you can get by clicking the link.

If you’re affluent enough to own an iPad..here are the apps he used. Maybe you could make it big at the comfort of your living room couch:

Speak It! / SoundyThingie / Mugician / Solo Synth / Synth / Funk Box / Gliss / AmpliTube / Xenon / iElectribe / BS-16i / M3000 HD / Cleartune / iOrgel HD / Olsynth / StudioMiniXI / BassLine / Harmonizer / Dub Siren Pro / Moog Filatron

-Skinny Genes

Tracklist

1. PHONER TO ARIZONA Delightful Choice!
Recorded in Montreal on 3rd October
2. REVOLVING DOORS
Recorded in Boston on 5th October
3. HILLBILLY MAN
Recorded in New Jersey and Virginia on 10th and 11th October
Additional Guitar: Mick Jones
4. DETROIT
Recorded in Detroit on 13th October
5. SHY-TOWN
Recorded in Chicago on 15th October
6. LITTLE PINK PLASTIC BAGS Delightful Choice!
Recorded in Chicago on 16th October
Additional Keyboards: Jesse Hackett
7. THE JOPLIN SPIDER
Recorded in Joplin on 18th October
Additional conversations with: Darren ‘Smoggy’ Evans
8. THE PARISH OF SPACE DUST
Recorded in Houston on 19th October
9. THE SNAKE IN DALLAS Delightful Choice!
Recorded in Dallas on 20th October
10. AMARILLO
Recorded in Amarillo on 23rd October
11. THE SPEAK IT MOUNTAINS
Recorded in Denver on 24th October
Stream and forest recorded in Santa Fe on 25th October by Mike Smith
12. ASPEN FOREST
Recorded in Santa Fe on 25th October and in Vancouver on 3rd November
Additional Bass: Paul Simonon
Additional Qanun: James R Grippo
13. BOBBY IN PHOENIX
Recorded in Phoenix on 26th October
Vocals and Guitar: Bobby Womack
14. CALIFORNIA AND THE SLIPPING OF THE SUN
Recorded in Oakland on 30th October
Train station announcement recorded at LA Train Station. Additional conversation with: Darren ‘Smoggy’ Evans, Mick Jones, Jamie Hewlett and Tanyel Vahdettin.
15. SEATTLE YODEL
Recorded in Seattle on 2nd November

FULL POST

Click to Download

Gorillaz front man Damon Albarn released the long awaited “iPad album” we were hearing about earlier this Fall on Christmas day for free. A very merry Christmas indeed! The entire album was recorded while on their American tour on nothing but an iPad. I’m still going through it as I post. Haven’t been blown away necessarily, but it’s a pretty cool concept to think about as you listen.

Albarn was quoted, “I wanted to make sure that it came out at the end of the tour because I don’t want anyone to think I’d tampered with it. I literally made it on the road in America over a month. I didn’t write it before; I didn’t prepare it. I just did it day by day as a kind of diary of my experience in America. If I left it until the New Year to release it, then the cynics out there would say, ‘Oh well, it’s been tampered with.’ But if I put it out now, they’d know that I haven’t done anything because I’ve been on tour ever since.”

Sweet deal if you ask me. I wasn’t really into Plastic Beach, so I’m hoping this gives me a little something extra. All the while, I’m keeping my expectations low because he did put minimal effort into it overall..or so it seems. The tracklist on the album website breaks it down to where he was as he laid down a track. Lovin’ the free music that’s been coming out lately! Including but not limited to the Klaxons release of Landmarks of Lunacy that you can get by clicking the link.

If you’re affluent enough to own an iPad..here are the apps he used. Maybe you could make it big at the comfort of your living room couch:

Speak It! / SoundyThingie / Mugician / Solo Synth / Synth / Funk Box / Gliss / AmpliTube / Xenon / iElectribe / BS-16i / M3000 HD / Cleartune / iOrgel HD / Olsynth / StudioMiniXI / BassLine / Harmonizer / Dub Siren Pro / Moog Filatron

-Skinny Genes

Tracklist

1. PHONER TO ARIZONA Delightful Choice!
Recorded in Montreal on 3rd October
2. REVOLVING DOORS
Recorded in Boston on 5th October
3. HILLBILLY MAN
Recorded in New Jersey and Virginia on 10th and 11th October
Additional Guitar: Mick Jones
4. DETROIT
Recorded in Detroit on 13th October
5. SHY-TOWN
Recorded in Chicago on 15th October
6. LITTLE PINK PLASTIC BAGS Delightful Choice!
Recorded in Chicago on 16th October
Additional Keyboards: Jesse Hackett
7. THE JOPLIN SPIDER
Recorded in Joplin on 18th October
Additional conversations with: Darren ‘Smoggy’ Evans
8. THE PARISH OF SPACE DUST
Recorded in Houston on 19th October
9. THE SNAKE IN DALLAS Delightful Choice!
Recorded in Dallas on 20th October
10. AMARILLO
Recorded in Amarillo on 23rd October
11. THE SPEAK IT MOUNTAINS
Recorded in Denver on 24th October
Stream and forest recorded in Santa Fe on 25th October by Mike Smith
12. ASPEN FOREST
Recorded in Santa Fe on 25th October and in Vancouver on 3rd November
Additional Bass: Paul Simonon
Additional Qanun: James R Grippo
13. BOBBY IN PHOENIX
Recorded in Phoenix on 26th October
Vocals and Guitar: Bobby Womack
14. CALIFORNIA AND THE SLIPPING OF THE SUN
Recorded in Oakland on 30th October
Train station announcement recorded at LA Train Station. Additional conversation with: Darren ‘Smoggy’ Evans, Mick Jones, Jamie Hewlett and Tanyel Vahdettin.
15. SEATTLE YODEL
Recorded in Seattle on 2nd November

A recent wave in the world of Indie has washed ashore a new subgenre of lo-fi synth acid pop—music that sounds like it was recorded in an ‘80s dream, placed in a time capsule, buried and rediscovered decades later. Neon Indian is such a band, making its debut with Psychic Chasms. All you need to know about the album is in its title—it’s the lo-fi kid brother of MGMT and Cut Copy catapulted to the ‘80s, flashing lights, poufy hair and all. Psychedelic as it is, Neon Indian fits right into the easy-breezy-summer-day soundtrack along with Panda Bear, Washed Out and Wavves.

The album flexes its muscles of range with poppy electro-funk beats and lazy ether-infused tracks reminiscent of a sepia toned day at the beach. Amidst subdued vocals and soft keyboards, the album’s single opener “Deadbeat Summer” is somehow suggestive of a Passion Pit daydream.

The album is catchy in its confusion with lazy, repetitive lyrics set against a psychedelic beat in songs like “Should Have Taken Acid With You” (a track compelling in its title alone) and “6669 (I Don’t Know If You Know).” Perhaps the zenith of the album, “Mind, Drips” is a synthtastic retro-pop jam that, like the album’s namesake track, pulls from the best of the ‘80s.

Psychic Chasms, with its general sluggishness, provides the perfect soundtrack for a lazy day.

-Witler

Tracklist

1. (AM)
2.
Deadbeat Summer
3. Laughing Gas
4. Terminally Chill
5. (If I Knew, I’d Tell You)
6. 6669 (I don’t know if you know)
7. Should Have Taken Acid With You
8. Mind, Drips
9. Psychic Chasms
10. Local Joke
11. Ephemeral Artery
12. 7000 (Reprise)

FULL POST

A recent wave in the world of Indie has washed ashore a new subgenre of lo-fi synth acid pop—music that sounds like it was recorded in an ‘80s dream, placed in a time capsule, buried and rediscovered decades later. Neon Indian is such a band, making its debut with Psychic Chasms. All you need to know about the album is in its title—it’s the lo-fi kid brother of MGMT and Cut Copy catapulted to the ‘80s, flashing lights, poufy hair and all. Psychedelic as it is, Neon Indian fits right into the easy-breezy-summer-day soundtrack along with Panda Bear, Washed Out and Wavves.

The album flexes its muscles of range with poppy electro-funk beats and lazy ether-infused tracks reminiscent of a sepia toned day at the beach. Amidst subdued vocals and soft keyboards, the album’s single opener “Deadbeat Summer” is somehow suggestive of a Passion Pit daydream.

The album is catchy in its confusion with lazy, repetitive lyrics set against a psychedelic beat in songs like “Should Have Taken Acid With You” (a track compelling in its title alone) and “6669 (I Don’t Know If You Know).” Perhaps the zenith of the album, “Mind, Drips” is a synthtastic retro-pop jam that, like the album’s namesake track, pulls from the best of the ‘80s.

Psychic Chasms, with its general sluggishness, provides the perfect soundtrack for a lazy day.

-Witler

Tracklist

1. (AM)
2. Deadbeat Summer
3. Laughing Gas
4. Terminally Chill
5. (If I Knew, I’d Tell You)
6. 6669 (I don’t know if you know)
7. Should Have Taken Acid With You
8. Mind, Drips
9. Psychic Chasms
10. Local Joke
11. Ephemeral Artery
12. 7000 (Reprise)

First off, sorry about keeping you guys in the dark this week. School’s been a beast this week, and HARD took it’s toll on me (more on that soon). Though, I come with good news…a new writer! I’m as excited as you are, and I’m assuming excited as fuck. It’s always so fresh to make someone else’s opinion live. And this is an opinion I can wholeheartedly back up. We’ve got almost mirror image music tastes, she told me about Hockey, which I’m still having trouble cutting down on, and she shares my undying love for The Strokes. If you can trust me, you can trust her. Welcome aboard Liz!

Even the best musicians often find difficulty in making a second album that surpasses its first, feeding off of hype and buckling under expectation. Taking into account the considerable success of his 2007 debut “Panic Prevention”—considered one of the hottest albums of 2007 and earning him the title of “the one-man Arctic Monkey”—you might think Jamie Treays’ (Jamie T) follow-up album would chase the trend, disappoint and ultimately go by unnoticed.

On the contrary, Treays again has stuck his middle finger to the establishment with his most recent chart climbing record Kings and Queens; he has nearly reincarnated himself in this atomic bomb of an album, straying from the gritty ragamuffin drum and bass of previous songs like “Sheila” and “Base Guitar.” It’s a punky, it’s poppy, it’s hip-hoppy, it’s raw, it’s in-your-face and it’s disgustingly catchy.

The album makes quite an entrance with the percussion and helium voiced chorus of “368,” a blunt and streetwise anthem about the milligrams of alcohol needed to be inebriated. The record then drops into the mystical and insanely catchy beat of “Hocus Pocus.”

“Sticks and Stones” is prime single material that will make on-the-fence listeners shameless fans. The tune is poppy and nostalgic as Treays recalls: “As I travel down the track all my memories flood back/ we were runnin’ at ease from enemies/and rushed back to your momma’s flat.” With hints of heartbreak and recovery—“I was hanging out with Louie in the shooting gallery/when the news got through to me about you and Jeremy/Pat on my back and a swig on my brew/You’re still my friend it’s impossible to hate you” the song is a musical manifestation of youth and folly.

Feeding off the energy of “Sticks and Stones” the album rolls over to “The Man’s Machine” an anthem of friendship, pain and who-knows-what. With hints of hip-hop and general Jamie T awesome-ness “Man’s Machine” is impossible not to sing along even if you haven’t a clue what it means to “Run, run boyo/Chase it to the border, border.”

The album reaches its pinnacle with the sunny, catchy-as-hell track “Spider’s Web.” Even if Treays does attempt to rhyme “dirty barbour” with “fits of laughter” and “intafada” with “strips in Gaza,” the song is utmost proof of Treays’ brilliance as a musician—it’s rhythmically captivating and lyrically luminous. The song revels in London life and the seeming indestructibility of youth, proclaiming: “Between a wheezing chest and a leaking ceiling/ Baby next door screaming all evening/ The beatings we got and the ones we’re seeking/We’re stubborn as fuck and I’m proud to say.”

Treays shows off his range as album takes an indie spin with “Chaka Demus” and even dabbles in acoustic heartbreak ballads with “Emily’s Heart” and “Jilly Armeen.” The album, as glossy and nearly flawless as it is, is not without its duds however. “Earth, Wind and Fire” and “Castro Dies” though almost catchy are swing-and-miss aim to reproduce The Clash.

The album as a whole is a booming success overflowing with a contagious lust for life that will leave you subconsciously smiling. Good luck getting these tunes out of your head.

8.0/10

Tracklist

1. 368
2. Hocus Pocus
3. Sticks ‘N’ Stones
4. The Man’s Machine
5. Emily’s Heart
6. Chaka Demus
7. Spider’s Web
8. Castro Dies
9. Earth, Wind and Fire
10. British Intelligence
11. Jilly Armeen

FULL POST

First off, sorry about keeping you guys in the dark this week. School’s been a beast this week, and HARD took it’s toll on me (more on that soon). Though, I come with good news…a new writer! I’m as excited as you are, and I’m assuming excited as fuck. It’s always so fresh to make someone else’s opinion live. And this is an opinion I can wholeheartedly back up. We’ve got almost mirror image music tastes, she told me about Hockey, which I’m still having trouble cutting down on, and she shares my undying love for The Strokes. If you can trust me, you can trust her. Welcome aboard Liz!

Even the best musicians often find difficulty in making a second album that surpasses its first, feeding off of hype and buckling under expectation. Taking into account the considerable success of his 2007 debut “Panic Prevention”—considered one of the hottest albums of 2007 and earning him the title of “the one-man Arctic Monkey”—you might think Jamie Treays’ (Jamie T) follow-up album would chase the trend, disappoint and ultimately go by unnoticed.

On the contrary, Treays again has stuck his middle finger to the establishment with his most recent chart climbing record Kings and Queens; he has nearly reincarnated himself in this atomic bomb of an album, straying from the gritty ragamuffin drum and bass of previous songs like “Sheila” and “Base Guitar.” It’s a punky, it’s poppy, it’s hip-hoppy, it’s raw, it’s in-your-face and it’s disgustingly catchy.

The album makes quite an entrance with the percussion and helium voiced chorus of “368,” a blunt and streetwise anthem about the milligrams of alcohol needed to be inebriated. The record then drops into the mystical and insanely catchy beat of “Hocus Pocus.”

“Sticks and Stones” is prime single material that will make on-the-fence listeners shameless fans. The tune is poppy and nostalgic as Treays recalls: “As I travel down the track all my memories flood back/ we were runnin’ at ease from enemies/and rushed back to your momma’s flat.” With hints of heartbreak and recovery—“I was hanging out with Louie in the shooting gallery/when the news got through to me about you and Jeremy/Pat on my back and a swig on my brew/You’re still my friend it’s impossible to hate you” the song is a musical manifestation of youth and folly.

Feeding off the energy of “Sticks and Stones” the album rolls over to “The Man’s Machine” an anthem of friendship, pain and who-knows-what. With hints of hip-hop and general Jamie T awesome-ness “Man’s Machine” is impossible not to sing along even if you haven’t a clue what it means to “Run, run boyo/Chase it to the border, border.”

The album reaches its pinnacle with the sunny, catchy-as-hell track “Spider’s Web.” Even if Treays does attempt to rhyme “dirty barbour” with “fits of laughter” and “intafada” with “strips in Gaza,” the song is utmost proof of Treays’ brilliance as a musician—it’s rhythmically captivating and lyrically luminous. The song revels in London life and the seeming indestructibility of youth, proclaiming: “Between a wheezing chest and a leaking ceiling/ Baby next door screaming all evening/ The beatings we got and the ones we’re seeking/We’re stubborn as fuck and I’m proud to say.”

Treays shows off his range as album takes an indie spin with “Chaka Demus” and even dabbles in acoustic heartbreak ballads with “Emily’s Heart” and “Jilly Armeen.” The album, as glossy and nearly flawless as it is, is not without its duds however. “Earth, Wind and Fire” and “Castro Dies” though almost catchy are swing-and-miss aim to reproduce The Clash.

The album as a whole is a booming success overflowing with a contagious lust for life that will leave you subconsciously smiling. Good luck getting these tunes out of your head.

8.0/10

Tracklist

1. 368
2. Hocus Pocus
3. Sticks ‘N’ Stones
4. The Man’s Machine
5. Emily’s Heart
6. Chaka Demus
7. Spider’s Web
8. Castro Dies
9. Earth, Wind and Fire
10. British Intelligence
11. Jilly Armeen

The new Skrillex (aka Sonny Moore) album took me by complete surprise. Seems like just yesterday he released “My Name Is Skrillex,” which he recorded, produced and released on his own early in the summer. You can download it free here. His remix of “In For the Kill” and “Alejandro” earned him most of his acclaim early on. His talents didn’t go unnoticed. Recently signed to Deadmau5’s Mau5trap Recordings, Skrillex wasn’t about to disappoint with his latest titled “Scary Monsters and Nice Sprites.” I’ve never heard electronic and dubstep so seamlessly intertwined in the way that Skrillex does. A lot of it is from his hardcore background as the frontman in From First To Last. He leads you up to the dubstep breakdowns with fast paced, sliced-and-diced, electronic samples and then drops into the nastiest, hurricane of bass and wobbles. If horror was a genre, this would definitely fall into it. He doesn’t seem to give us a break with his constant releases of tracks/remixes/albums, and this seems to be only the beginning.

Tracklist


1. Rock N’ Roll (Will Take You To The Mountain)
2. Scary Monsters & Nice Sprites
3. Kill Everybody
4. All I Ask Of You (with Penny)
5. Scatta (with Foreign Beggars and Bare Noize)
6. With Your Friends (Long Drive)
7. Scary Monsters & Nice Sprites (Noisia Remix)
8. Scary Monsters & Nice Sprites (Zedd Remix)
9. Kill Everybody (Bare Noize Remix)

FULL POST

The new Skrillex (aka Sonny Moore) album took me by complete surprise. Seems like just yesterday he released “My Name Is Skrillex,” which he recorded, produced and released on his own early in the summer. You can download it free here. His remix of “In For the Kill” and “Alejandro” earned him most of his acclaim early on. His talents didn’t go unnoticed. Recently signed to Deadmau5’s Mau5trap Recordings, Skrillex wasn’t about to disappoint with his latest titled “Scary Monsters and Nice Sprites.” I’ve never heard electronic and dubstep so seamlessly intertwined in the way that Skrillex does. A lot of it is from his hardcore background as the frontman in From First To Last. He leads you up to the dubstep breakdowns with fast paced, sliced-and-diced, electronic samples and then drops into the nastiest, hurricane of bass and wobbles. If horror was a genre, this would definitely fall into it. He doesn’t seem to give us a break with his constant releases of tracks/remixes/albums, and this seems to be only the beginning.

Tracklist


1. Rock N’ Roll (Will Take You To The Mountain)
2. Scary Monsters & Nice Sprites
3. Kill Everybody
4. All I Ask Of You (with Penny)
5. Scatta (with Foreign Beggars and Bare Noize)
6. With Your Friends (Long Drive)
7. Scary Monsters & Nice Sprites (Noisia Remix)
8. Scary Monsters & Nice Sprites (Zedd Remix)
9. Kill Everybody (Bare Noize Remix)

Treasure Fingers (aka Ashley Jones) has been bringing the disco heat with his banger remixes for quite sometime now. Treasure Fingers is a fresh addition to A-Trak‘s Fool’s Gold Records along the likes of Chromeo, Crookers, Kid Cudi, LA Riots, Laidback Luke and way more. A-Trak wouldn’t put just anyone on his label, a very talented bunch. He was originally a part of drum and bass band Evol Intent before he decided to take his talents elsewhere. You can hear bits and pieces of his drum and bass backgrounds in this new EP which features three tracks:

1. Lift Me (Original Mix) Delightful Choice!
2. It’s Love (Original Mix)
3. It’s Love Instrumental

The EP may be brief, but it doesn’t fail to bring the uplifting disco/house sound we’re used to getting from him. His remixes have made several YOLO lists, and I’ll continue to add as they come. Be sure to catch him live if you can. His performance could use some work, but his song selection is unreal. Best end to Audiotistic that I could have asked for. Here’s a video I snagged:

BONUS!

Empire of the Sun – Walking On A Dream (Treasure Fingers Remix)
N.A.S.A. ft. Kanye West – Gifted Delightful Choice!

FULL POST

Treasure Fingers (aka Ashley Jones) has been bringing the disco heat with his banger remixes for quite sometime now. Treasure Fingers is a fresh addition to A-Trak‘s Fool’s Gold Records along the likes of Chromeo, Crookers, Kid Cudi, LA Riots, Laidback Luke and way more. A-Trak wouldn’t put just anyone on his label, a very talented bunch. He was originally a part of drum and bass band Evol Intent before he decided to take his talents elsewhere. You can hear bits and pieces of his drum and bass backgrounds in this new EP which features three tracks:

1. Lift Me (Original Mix) Delightful Choice!
2. It’s Love (Original Mix)
3. It’s Love Instrumental

The EP may be brief, but it doesn’t fail to bring the uplifting disco/house sound we’re used to getting from him. His remixes have made several YOLO lists, and I’ll continue to add as they come. Be sure to catch him live if you can. His performance could use some work, but his song selection is unreal. Best end to Audiotistic that I could have asked for. Here’s a video I snagged:

BONUS!

Empire of the Sun – Walking On A Dream (Treasure Fingers Remix)
N.A.S.A. ft. Kanye West – Gifted Delightful Choice!

Hockey – Mind Chaos

It’s not very often I’ll actually make the effort to listen to an album or a song by request. Definitely not because I don’t want to. It just gets overwhelming sometimes with everything that comes my way and everything that I want to listen to. Plus, I’m just lazy. Every once and awhile, I’ll feel the passion behind someone’s request and I can’t help but to drop everything and see what the deal is. This last request came in the form of Hockey‘s Mind Chaos from a fellow Strokes and Tokyo Police Club fan. With a résumé like that, I had to give it a run through.

The album is reminiscent of the same happy, jumpy vibe of Vampire Weekend and the funky, synthy sounds of the Rapture or Goose. They keep classy and even straight old school at times. With songs like “Learn to Lose,” which brings back the nostalgic feelings of listening to the Beatles, and “Four Holy Photos” satisfying the folky, Bob Dylan side.

These guys really explore the depths of music, which is apparent in the variance of all the songs. Every song has something different to say and a different chord to strike. Most of which are really upbeat and uplifting. This album recognizes the ups and downs of life, yet understands that you’ve got to dance through it. A very approachable album that gets better with each listen.

9.0/10

Tracklist

1. Too Fake
2. 3 AM Spanish
3. Learn to Lose
4. Work
5. Song Away
6. Curse This City
7. Wanna Be Black
8. Four Holy Photos
9. Preacher
10. Put the Game Down
11. Everyone’s the Same Age

FULL POST

Hockey – Mind Chaos

It’s not very often I’ll actually make the effort to listen to an album or a song by request. Definitely not because I don’t want to. It just gets overwhelming sometimes with everything that comes my way and everything that I want to listen to. Plus, I’m just lazy. Every once and awhile, I’ll feel the passion behind someone’s request and I can’t help but to drop everything and see what the deal is. This last request came in the form of Hockey‘s Mind Chaos from a fellow Strokes and Tokyo Police Club fan. With a résumé like that, I had to give it a run through.

The album is reminiscent of the same happy, jumpy vibe of Vampire Weekend and the funky, synthy sounds of the Rapture or Goose. They keep classy and even straight old school at times. With songs like “Learn to Lose,” which brings back the nostalgic feelings of listening to the Beatles, and “Four Holy Photos” satisfying the folky, Bob Dylan side.

These guys really explore the depths of music, which is apparent in the variance of all the songs. Every song has something different to say and a different chord to strike. Most of which are really upbeat and uplifting. This album recognizes the ups and downs of life, yet understands that you’ve got to dance through it. A very approachable album that gets better with each listen.

9.0/10

Tracklist

1. Too Fake
2. 3 AM Spanish
3. Learn to Lose
4. Work
5. Song Away
6. Curse This City
7. Wanna Be Black
8. Four Holy Photos
9. Preacher
10. Put the Game Down
11. Everyone’s the Same Age