Witler

I’ve got this farfetched theory that if you wanted to know what was going inside John Lennon’s drug-riddled brain circa 1967 you would just have to listen to one-man show Porcelain Raft’s debut EP Gone Blind. Maybe it’s just his vocals though. There’s an edge of classism lost in a swirling, ether-soaked daze. Gentle reverb and floating loop melodies give his music a chill wave-esque ambiance that blends nicely on a playlist with other dream pop breakouts of this year such as Youth Lagoon and Oupa. The EP glides from song to song, transporting you through the numbing confusion of an over-populated city to a barren landscape. It’s expansive and makes use of its space really nicely with glitchy electronic beats that shimmer amongst a slew of unconventional instrumentation. At times his music is futuristically epic, like a post-apocalyptic society run by glimmering robots. Sometimes it borders scary; the kind of stuff I would honestly only listen to if I was bored and wanted to pretend I lived in psych-thriller fantasy world (the kind where the only person who comes out alive in the end is Tom Cruise or some guy and his dog). Or if I was in dire need of an adrenaline rush. To put it simply, his music is straight weird most of the time. However, once you shove the weirdness aside, there’s a vulnerability at it’s core that makes it difficult to write off even the really strange songs. But the catchy songs are pretty catchy. I’ve linked the noteworthy jams below.

Tip of Your Tongue
Gone Blind
Dragonfly

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I’ve got this farfetched theory that if you wanted to know what was going inside John Lennon’s drug-riddled brain circa 1967 you would just have to listen to one-man show Porcelain Raft’s debut EP Gone Blind. Maybe it’s just his vocals though. There’s an edge of classism lost in a swirling, ether-soaked daze. Gentle reverb and floating loop melodies give his music a chill wave-esque ambiance that blends nicely on a playlist with other dream pop breakouts of this year such as Youth Lagoon and Oupa. The EP glides from song to song, transporting you through the numbing confusion of an over-populated city to a barren landscape. It’s expansive and makes use of its space really nicely with glitchy electronic beats that shimmer amongst a slew of unconventional instrumentation. At times his music is futuristically epic, like a post-apocalyptic society run by glimmering robots. Sometimes it borders scary; the kind of stuff I would honestly only listen to if I was bored and wanted to pretend I lived in psych-thriller fantasy world (the kind where the only person who comes out alive in the end is Tom Cruise or some guy and his dog). Or if I was in dire need of an adrenaline rush. To put it simply, his music is straight weird most of the time. However, once you shove the weirdness aside, there’s a vulnerability at it’s core that makes it difficult to write off even the really strange songs. But the catchy songs are pretty catchy. I’ve linked the noteworthy jams below.

Tip of Your Tongue
Gone Blind
Dragonfly

I wrote about New Orleans-based indie-rock duo Generationals earlier this year when their sophomore album Actor-Caster was released. I know it’s strange to move backwards and write about a debut after you’ve written about the follow-up but I’m gonna do it anyway. It’s an album you’ve got to know about.

Released in 2009, Con Law swims through several pools of influence but each song echoes against the same distant wall of memory. At times it tinkers with electro-synth and Beach pop. The vocal echoes give it a lo-fi edge without really nudging it into that genre. It occupies every space of sound possible with leaping percussion and shimmering guitars. Ultimately it’s a charming album that could win you over any time of the year. It’s the kind of stuff you wanna get up and dance to.

Tracklist

1. Nobody Could Change Your Mind
2. Angry Charlie
3. Faces In The Dark
4. When They Fight, They Fight
5. Our Time 2 Shine
6. Wildlife Sculpture
7. Bobby Beale
8. Exterior Street Day
9. It Keeps You Up
10. These Habits

Free Candy

I Promise

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I wrote about New Orleans-based indie-rock duo Generationals earlier this year when their sophomore album Actor-Caster was released. I know it’s strange to move backwards and write about a debut after you’ve written about the follow-up but I’m gonna do it anyway. It’s an album you’ve got to know about.

Released in 2009, Con Law swims through several pools of influence but each song echoes against the same distant wall of memory. At times it tinkers with electro-synth and Beach pop. The vocal echoes give it a lo-fi edge without really nudging it into that genre. It occupies every space of sound possible with leaping percussion and shimmering guitars. Ultimately it’s a charming album that could win you over any time of the year. It’s the kind of stuff you wanna get up and dance to.

Tracklist

1. Nobody Could Change Your Mind
2. Angry Charlie
3. Faces In The Dark
4. When They Fight, They Fight
5. Our Time 2 Shine
6. Wildlife Sculpture
7. Bobby Beale
8. Exterior Street Day
9. It Keeps You Up
10. These Habits

Free Candy

I Promise

Allow me to introduce you to indie-pop outfit French Cassettes. I’m willing to bet these California Bay-based youngsters are about to explode in a big way. They really embrace the fun of making music, with a sound that emulates classic rock with a more contemporary edge. In just a few years, they’ve come a long way from playing Strokes covers on acoustic guitars in high school–they’ve got their own experimental edge going on, working with what they’ve got. They’re one of those budding bands that just seems destined to go far.

Click here to buy their EP “Summer Darling.” It’s worth every cent.

Radley
Mouth Drum
Secrets Make Sounds

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Allow me to introduce you to indie-pop outfit French Cassettes. I’m willing to bet these California Bay-based youngsters are about to explode in a big way. They really embrace the fun of making music, with a sound that emulates classic rock with a more contemporary edge. In just a few years, they’ve come a long way from playing Strokes covers on acoustic guitars in high school–they’ve got their own experimental edge going on, working with what they’ve got. They’re one of those budding bands that just seems destined to go far.

Click here to buy their EP “Summer Darling.” It’s worth every cent.

Radley
Mouth Drum
Secrets Make Sounds

Portland-based outfit Blind Pilot isn’t groundbreakingly experimental for an indie band. Their music is not edgy enough to piss off your parents or annoy your friends. It is stirringly sentimental, with swaying folk-pop melodies that softly hypnotize you.

They first appeared on the scene in 2008 with their self-released debut 3 Rounds and a Sound. It was an album for every day, any time of the year. It’s the kind of album you want to turn on when you’re driving home at night. Their follow-up album We Are the Tide was released earlier this year and is a gentle continuation, though slightly poppy-er than their debut.

Like its predecessor, the album is sweetly nostalgic like strolling down a dimly remembered street from your childhood, while still expressing what lies unsaid in the back of your head. Frontman Israel Nebeker is kinda brilliant that way. His lyrics draw you in as much as any other component of the music. It’s actually probably the band’s strongest aspect. His lyrics are not for one moment contrived but rather organic and honest. There isn’t one particular song that stands out in the album because the album as a whole is strong; it’s one of those albums that will take a while to wear out.

Tracklist

1. Half Moon
2. Always
3. Keep You Right
4. We Are the Tide
5. The Colored Night
6. I Know
7. White Apple
8. Just One
9. Get It Out
10. New York

FULL POST

Portland-based outfit Blind Pilot isn’t groundbreakingly experimental for an indie band. Their music is not edgy enough to piss off your parents or annoy your friends. It is stirringly sentimental, with swaying folk-pop melodies that softly hypnotize you.

They first appeared on the scene in 2008 with their self-released debut 3 Rounds and a Sound. It was an album for every day, any time of the year. It’s the kind of album you want to turn on when you’re driving home at night. Their follow-up album We Are the Tide was released earlier this year and is a gentle continuation, though slightly poppy-er than their debut.

Like its predecessor, the album is sweetly nostalgic like strolling down a dimly remembered street from your childhood, while still expressing what lies unsaid in the back of your head. Frontman Israel Nebeker is kinda brilliant that way. His lyrics draw you in as much as any other component of the music. It’s actually probably the band’s strongest aspect. His lyrics are not for one moment contrived but rather organic and honest. There isn’t one particular song that stands out in the album because the album as a whole is strong; it’s one of those albums that will take a while to wear out.

Tracklist

1. Half Moon
2. Always
3. Keep You Right
4. We Are the Tide
5. The Colored Night
6. I Know
7. White Apple
8. Just One
9. Get It Out
10. New York

The solo debut of Miles Kane is a murky flashback to the 1960s Brit-rock music scene. It’s an impressive breakout for an artist tightly associated with Arctic Monkeys frontman Alex Turner, largely for their bromance baby The Last Shadow Puppets. There’s an elegant mystique about Colour of the Trap, enshrouded in booming drums and smoky-rock riffs. It’s massively epic, the kind of album that gets your heart racing for no apparent reason, especially considering that most of the songs are about romantic endeavors. Lyrics aside, it would make an apt soundtrack for a Bond film with stabbing guitars drowning in foreboding orchestrals. Even when it slows down to finger-picked acoustics and breathy vocals, there’s something spell-binding about it. Kane has reassembled a sound lodged in the gloomy crevices of the past and made it uniquely his own. Though the album is hardly without flaw, it is defining. It certainly does enough to sever him from the hip of his buddy Alex Turner and grant him forgiveness from his previous, lesser known associations. Kane is one of those artists that develops in increments; he’s only getting better. Personally, I think it’s only a matter of time before he’s considered one of the coolest dudes on the Brit-rock stage.

Tracklist

1. Come Closer
2. Rearrange
3. My Fantasy
4. Counting Down the Days
5. Better Left Invisible
6. Quicksand
7. Inhaler
8. Kingcrawler
9. Take the Night From ME
10. Telepathy
11. Happenstance
12. Colour of the Trap

FULL POST

The solo debut of Miles Kane is a murky flashback to the 1960s Brit-rock music scene. It’s an impressive breakout for an artist tightly associated with Arctic Monkeys frontman Alex Turner, largely for their bromance baby The Last Shadow Puppets. There’s an elegant mystique about Colour of the Trap, enshrouded in booming drums and smoky-rock riffs. It’s massively epic, the kind of album that gets your heart racing for no apparent reason, especially considering that most of the songs are about romantic endeavors. Lyrics aside, it would make an apt soundtrack for a Bond film with stabbing guitars drowning in foreboding orchestrals. Even when it slows down to finger-picked acoustics and breathy vocals, there’s something spell-binding about it. Kane has reassembled a sound lodged in the gloomy crevices of the past and made it uniquely his own. Though the album is hardly without flaw, it is defining. It certainly does enough to sever him from the hip of his buddy Alex Turner and grant him forgiveness from his previous, lesser known associations. Kane is one of those artists that develops in increments; he’s only getting better. Personally, I think it’s only a matter of time before he’s considered one of the coolest dudes on the Brit-rock stage.

Tracklist

1. Come Closer
2. Rearrange
3. My Fantasy
4. Counting Down the Days
5. Better Left Invisible
6. Quicksand
7. Inhaler
8. Kingcrawler
9. Take the Night From ME
10. Telepathy
11. Happenstance
12. Colour of the Trap

If you have a weakness for folk-injected indie-pop concoctions I suggest you check out Virginia Beach natives We Are Trees. They sport the same sort of shimmering buzz-drenched pop sensibility as many lo-fi artists but it’s cleaner. Crisper. It’s cleared out the mud and snare that causes sounds to pool together in a 1960s evocative manner (which I happen to love but this is different). They’ve released two EP’s thus far, aptly titled “Boyfriend” and “Girlfriend” because their subject matter delves into the realms of juvenile relationships. It’s nothing sonically transcendent or thematically profound. It’s just pure, simple, delightful fun. There’s something innocently experimental about them. Each song is versatile, airy and fresh, choosing from a broad range of influence. They aren’t pretentious but humbly understated. This is indie music in its most approachable form.

Sunrise Sunset

Colorado

You

I Don’t Believe In Love

When I’m With You (Best Coast Cover)

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If you have a weakness for folk-injected indie-pop concoctions I suggest you check out Virginia Beach natives We Are Trees. They sport the same sort of shimmering buzz-drenched pop sensibility as many lo-fi artists but it’s cleaner. Crisper. It’s cleared out the mud and snare that causes sounds to pool together in a 1960s evocative manner (which I happen to love but this is different). They’ve released two EP’s thus far, aptly titled “Boyfriend” and “Girlfriend” because their subject matter delves into the realms of juvenile relationships. It’s nothing sonically transcendent or thematically profound. It’s just pure, simple, delightful fun. There’s something innocently experimental about them. Each song is versatile, airy and fresh, choosing from a broad range of influence. They aren’t pretentious but humbly understated. This is indie music in its most approachable form.

Sunrise Sunset

Colorado

You

I Don’t Believe In Love

When I’m With You (Best Coast Cover)

New Jersey natives Real Estate’s sophomore album Days is a bike ride through the past, through the neatly manicured suburban lawns of your childhood. It’s achingly nostalgic, grappling for a something lost forever–the ease of youth. It’s a celebration of innocence and the simplicity of youth, captured in drowsy reverb and floating rhythms.

Spaciously gentle vocals deliver a sort of wisdom of time and facing reality. In their own understated way, they fondly capture the truths and pangs of growing up. It manages to be idyllic, yet realistic. “Around in the fields we grow/with love for everyone/Dreams we saw with eyes of hope/Until that dream was gone” frontman Martin Courtney sings in opening track “Easy.” The lyrics and melodies blend so perfectly to create a strong, ineffable sentiment. You’re left with an overwhelming calm.

The album transitions from one track to the next perfectly; each song connects with the next like a continued thought or a string of memories. Perhaps one of Real Estate’s best compositions to date, “Green Aisles” profoundly captures the essence of the album: “All those wasted miles/All those aimless drives/Through green aisles/Our careless lifestyle/It was not so unwise.” “Days” is a picturesque amble through the past. Everything about it is subtle and understated, but in its profound realizations it really is a brilliant album.

Tracklist

1. Easy
2.Green Aisles
3. It’s Real
4. Kinder Blumen
5. Out of Tune
6. Municipality
7. Wonder Years
8. Three Blocks
9. Younger Than Yesterday
10. All the Same

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Fake Blues

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New Jersey natives Real Estate’s sophomore album Days is a bike ride through the past, through the neatly manicured suburban lawns of your childhood. It’s achingly nostalgic, grappling for a something lost forever–the ease of youth. It’s a celebration of innocence and the simplicity of youth, captured in drowsy reverb and floating rhythms.

Spaciously gentle vocals deliver a sort of wisdom of time and facing reality. In their own understated way, they fondly capture the truths and pangs of growing up. It manages to be idyllic, yet realistic. “Around in the fields we grow/with love for everyone/Dreams we saw with eyes of hope/Until that dream was gone” frontman Martin Courtney sings in opening track “Easy.” The lyrics and melodies blend so perfectly to create a strong, ineffable sentiment. You’re left with an overwhelming calm.

The album transitions from one track to the next perfectly; each song connects with the next like a continued thought or a string of memories. Perhaps one of Real Estate’s best compositions to date, “Green Aisles” profoundly captures the essence of the album: “All those wasted miles/All those aimless drives/Through green aisles/Our careless lifestyle/It was not so unwise.” “Days” is a picturesque amble through the past. Everything about it is subtle and understated, but in its profound realizations it really is a brilliant album.

Tracklist

1. Easy
2.Green Aisles
3. It’s Real
4. Kinder Blumen
5. Out of Tune
6. Municipality
7. Wonder Years
8. Three Blocks
9. Younger Than Yesterday
10. All the Same

Free Candy

Fake Blues