Witler

It wouldn’t be hyperbolic to say that The Strokes’ debut Is This It? is a musical epoch. Many of us can remember the first time we heard it and the ensuing obsession that became a lasting addiction. The Strokes, young and unintentionally cool, kicking over mic stands (or more literally picking them up and throwing them), became a band that would shape a generation’s music. Many prominent figures in the indie scene today (i.e., Arctic Monkeys, and Tokyo Police Club, etc.) credit them as a major influence. Is This It?, one of the few flawless albums to date, is nearing its ten year anniversary this Saturday and in that spirit, Stereogum asked 11 indie bands to cover each track. Each track is carefully and respectfully reinvented.

STROKED: A Tribute To Is This It? .zip

^grab the whole thing^ *click*click*

1. Peter Bjorn & John – Is This It? Delightful Choice!
A glossy opener, it’s evident that Swedish trio Peter Bjorn & John did not take the task of covering the Strokes lightly. They do not deviate from the original track, though it is sped up and revamped with electric guitars and a synthy twist. It is clear they were not trying to meddle with the originality of the song. “We just wanted to play it as good as we could,” John Erikson told Stereogum. It’s nothing game changing but it is a job well done.

2. Chelsea Wolfe – The Modern Age
Chelsea Wolfe takes a sedated take on “The Modern Age.” It’s lo-fi and heavy like something from a bad dream, but in a surprisingly cool way. It’s not utterly shocking to hear that she had been taking “lots of heavy cough syrup” when she recorded it.

3. Frankie Rose – Soma Delightful Choice!
Frankie Rose’s sugar-coated take on “Soma” is a sort of shimmering memory. It’s enjoyable and nostalgic in a sort of 1990’s romantic comedy kinda way, but not as formulaic. Emphasis on synth and heavy drums serves to keep the song fast-moving and smooth but also utterly enjoyable.

4. Real Estate – Barely Legal Delightful Choice!
According to Martin Courtney, Real Estate was influenced by the Strokes from the beginning, starting a Strokes coverband at 15. They did a really nice job of making “Barely” Legal” their own. It embraces the edge that makes Real Estate such a unique (and kickass) band, meanwhile maintaining the original vibes of the song.

5. Wise Blood – Someday
Wise Blood’s take on “Someday” is nearly a new track entirely. It’s edgy and indie, embellished and austere. It’s a complex arrangement but it holds onto the original structure of the song. “I decided to try and stick with the way the song develops,” Chris Laufman said.

6. Austra – Alone, Together
Katie Stelmanis said she had a tough time with the cover but eventually embraced it as an Austra song. It has definitely been tailored to her style, but it succeeds in still managing to sound like the original Strokes song, quite a feat when refashioning something already considered flawless.

7. The Morning Benders – Last Nite Delightful Choice!
San Francisco natives the Morning Benders dissembled the album’s first single “Last Nite” and restructured it into an undeniably fun pop jam. They took the seemingly sporadic assembly of the original track and organized it into something structured but pretty damn catchy.

8. Owen Pallet – Hard To Explain
Owen Pallet’s rendition of “Hard To Explain” is a really lovely classical composition. It opens with the original melody delivered by violins and Pallet’s emotion-driven vocals. It really manages to harness the sentiment of the song in a beautiful way.

9. Heems – New York City Cops
Heems takes a “fuck tha police” approach to “New York City Cops,” a song that originally lamented that “New York City cops ain’t too smart.” All Himanshu Suri had to say about what influenced his interpretation of the song:

“Michael Stewart, Eleanor Bumpurs, Amadou Diallo, Patrick Dorismond, Alberta Spruill, Timothy Stansbury, Abner Louima, Sean Bell, Ousmane Zongo, Randolph Evans, Anthony Baez, Clifford Glover, and Fermin Arzou were senselessly beaten or killed by the NYPD while unarmed.”

10. Deradoorian – Trying Your Luck
Deradoorian’s rendition of “Trying Your Luck” is slightly more lethargic than the original, with a subtle sort of reggae twist. It’s well structured, gleaned and sweetly catchy. It shifts the emphasis on the lyrics in such a way that it seems less mournful and more optimistic than the original.

11. Computer Magic – Take It Or Leave It Delightful Choice!
Computer Magic is perhaps most suited to cover the album’s closing track. Newwave and futuristic it is a perfect testament to the timelessness of the album. Yet Danielle Johnson still manages to make it her own. Like every other song on the tribute, uniquely refurbished, it offers much more than a cover to a classic song.

FULL POST

It wouldn’t be hyperbolic to say that The Strokes’ debut Is This It? is a musical epoch. Many of us can remember the first time we heard it and the ensuing obsession that became a lasting addiction. The Strokes, young and unintentionally cool, kicking over mic stands (or more literally picking them up and throwing them), became a band that would shape a generation’s music. Many prominent figures in the indie scene today (i.e., Arctic Monkeys, and Tokyo Police Club, etc.) credit them as a major influence. Is This It?, one of the few flawless albums to date, is nearing its ten year anniversary this Saturday and in that spirit, Stereogum asked 11 indie bands to cover each track. Each track is carefully and respectfully reinvented.

STROKED: A Tribute To Is This It? .zip

^grab the whole thing^ *click*click*

1. Peter Bjorn & John – Is This It? Delightful Choice!
A glossy opener, it’s evident that Swedish trio Peter Bjorn & John did not take the task of covering the Strokes lightly. They do not deviate from the original track, though it is sped up and revamped with electric guitars and a synthy twist. It is clear they were not trying to meddle with the originality of the song. “We just wanted to play it as good as we could,” John Erikson told Stereogum. It’s nothing game changing but it is a job well done.

2. Chelsea Wolfe – The Modern Age
Chelsea Wolfe takes a sedated take on “The Modern Age.” It’s lo-fi and heavy like something from a bad dream, but in a surprisingly cool way. It’s not utterly shocking to hear that she had been taking “lots of heavy cough syrup” when she recorded it.

3. Frankie Rose – Soma Delightful Choice!
Frankie Rose’s sugar-coated take on “Soma” is a sort of shimmering memory. It’s enjoyable and nostalgic in a sort of 1990’s romantic comedy kinda way, but not as formulaic. Emphasis on synth and heavy drums serves to keep the song fast-moving and smooth but also utterly enjoyable.

4. Real Estate – Barely Legal Delightful Choice!
According to Martin Courtney, Real Estate was influenced by the Strokes from the beginning, starting a Strokes coverband at 15. They did a really nice job of making “Barely” Legal” their own. It embraces the edge that makes Real Estate such a unique (and kickass) band, meanwhile maintaining the original vibes of the song.

5. Wise Blood – Someday
Wise Blood’s take on “Someday” is nearly a new track entirely. It’s edgy and indie, embellished and austere. It’s a complex arrangement but it holds onto the original structure of the song. “I decided to try and stick with the way the song develops,” Chris Laufman said.

6. Austra – Alone, Together
Katie Stelmanis said she had a tough time with the cover but eventually embraced it as an Austra song. It has definitely been tailored to her style, but it succeeds in still managing to sound like the original Strokes song, quite a feat when refashioning something already considered flawless.

7. The Morning Benders – Last Nite Delightful Choice!
San Francisco natives the Morning Benders dissembled the album’s first single “Last Nite” and restructured it into an undeniably fun pop jam. They took the seemingly sporadic assembly of the original track and organized it into something structured but pretty damn catchy.

8. Owen Pallet – Hard To Explain
Owen Pallet’s rendition of “Hard To Explain” is a really lovely classical composition. It opens with the original melody delivered by violins and Pallet’s emotion-driven vocals. It really manages to harness the sentiment of the song in a beautiful way.

9. Heems – New York City Cops
Heems takes a “fuck tha police” approach to “New York City Cops,” a song that originally lamented that “New York City cops ain’t too smart.” All Himanshu Suri had to say about what influenced his interpretation of the song:

“Michael Stewart, Eleanor Bumpurs, Amadou Diallo, Patrick Dorismond, Alberta Spruill, Timothy Stansbury, Abner Louima, Sean Bell, Ousmane Zongo, Randolph Evans, Anthony Baez, Clifford Glover, and Fermin Arzou were senselessly beaten or killed by the NYPD while unarmed.”

10. Deradoorian – Trying Your Luck
Deradoorian’s rendition of “Trying Your Luck” is slightly more lethargic than the original, with a subtle sort of reggae twist. It’s well structured, gleaned and sweetly catchy. It shifts the emphasis on the lyrics in such a way that it seems less mournful and more optimistic than the original.

11. Computer Magic – Take It Or Leave It Delightful Choice!
Computer Magic is perhaps most suited to cover the album’s closing track. Newwave and futuristic it is a perfect testament to the timelessness of the album. Yet Danielle Johnson still manages to make it her own. Like every other song on the tribute, uniquely refurbished, it offers much more than a cover to a classic song.


12FV

Not to be overly trite or anything but if there’s any time of the year to throw your inhibitions to the wind, it’s summer. Summertime is marked by random tattoos, skydiving and spontaneous road trips, youthful frivolity and carelessness. It’s really the time to try new things, cause why not? I happen to believe that rule should apply to music. Widen your horizons. Forget your notions of what music should be and try something new, even if you would normally think it’s too weird to listen to. For this reason probably, I associate really indie indie music with summertime. I’ve linked three of my odder summer jams below. Hey, maybe you won’t even think they’re that weird.

Tightrope by Yeasayer

Icecream by Battles feat. Matias Aguayo

Id Engager by of Montreal

FULL POST


12FV

Not to be overly trite or anything but if there’s any time of the year to throw your inhibitions to the wind, it’s summer. Summertime is marked by random tattoos, skydiving and spontaneous road trips, youthful frivolity and carelessness. It’s really the time to try new things, cause why not? I happen to believe that rule should apply to music. Widen your horizons. Forget your notions of what music should be and try something new, even if you would normally think it’s too weird to listen to. For this reason probably, I associate really indie indie music with summertime. I’ve linked three of my odder summer jams below. Hey, maybe you won’t even think they’re that weird.

Tightrope by Yeasayer

Icecream by Battles feat. Matias Aguayo

Id Engager by of Montreal

The word “fanzine” is a portmanteau of “fan” and “magazine.” So when you squish those two separate words together what you’re left with is an unofficial magazine made by fans. Go figure. London-based four-piece Fanzine must love irony. Fresh faces on the music scene, they are currently on tour with Yuck and Unknown Mortal Orchestra. Though they’ve only released four tracks to date, they have a scuzzy but honest sound that’s difficult not to treasure. They harness a sort of nostalgia that many of us associate with the ‘90s. This is beautiful song-writing and real musical talent. They offer a free download of their EP with a digital download of their very own fanzine. Check ‘em out.

Low
Rocket Fuel
Running Around
I Wanna Touch Your Hand

FULL POST

The word “fanzine” is a portmanteau of “fan” and “magazine.” So when you squish those two separate words together what you’re left with is an unofficial magazine made by fans. Go figure. London-based four-piece Fanzine must love irony. Fresh faces on the music scene, they are currently on tour with Yuck and Unknown Mortal Orchestra. Though they’ve only released four tracks to date, they have a scuzzy but honest sound that’s difficult not to treasure. They harness a sort of nostalgia that many of us associate with the ‘90s. This is beautiful song-writing and real musical talent. They offer a free download of their EP with a digital download of their very own fanzine. Check ‘em out.

Low
Rocket Fuel
Running Around
I Wanna Touch Your Hand

A few weeks back a friend of mine and I fulfilled a promise we’d made when we were 15–that if the Kooks came to California we’d go. We were fortunate enough to get tickets to the sold out show at the Troubadour in West Hollywood. An intimate venue, it was among the most fun concerts I’ve ever been to. Sweaty and bouncing off of every surface of the stage, I also don’t think I’ve ever seen an artist so cracked out. Regardless, they were completely on top of their game; I would go as far to say they are better live than they are in the studio. I hardly expected much from their new material, but I have to admit it’s pretty good. I’ve been waiting for them to release a single to actually write about it, and their upcoming album’s title track, Junk Of the Heart, was released just the other day. I’ll definitely be looking forward to the release of the remainder of the album. Download it below, the 15 year old version of myself insists you do.

Junk Of the Heart (Happy)

FULL POST

A few weeks back a friend of mine and I fulfilled a promise we’d made when we were 15–that if the Kooks came to California we’d go. We were fortunate enough to get tickets to the sold out show at the Troubadour in West Hollywood. An intimate venue, it was among the most fun concerts I’ve ever been to. Sweaty and bouncing off of every surface of the stage, I also don’t think I’ve ever seen an artist so cracked out. Regardless, they were completely on top of their game; I would go as far to say they are better live than they are in the studio. I hardly expected much from their new material, but I have to admit it’s pretty good. I’ve been waiting for them to release a single to actually write about it, and their upcoming album’s title track, Junk Of the Heart, was released just the other day. I’ll definitely be looking forward to the release of the remainder of the album. Download it below, the 15 year old version of myself insists you do.

Junk Of the Heart (Happy)

Studies have shown that walking a labyrinth has similar effects on the brain as meditation, activating the right side of the brain, causing the person walking it to feel calm, relaxed and at peace. The act of walking a labyrinth gives the left hemisphere of the brain a rest, allowing the less rational, more intuitive hemisphere to take over.

Recently I decided to test this for myself, and while I didn’t reach any higher truths or a state of utmost sublimity, I must admit that it is true—I felt calm. Balanced. The best way I know how to adequately describe the experience is by listening to Ernest Greene aka Washed Out’s first full-length album, Within and Without which was released officially today.

Spacious and wraithlike, the album is polished and gleaned to synthtastic perfection. The album opens with “Eyes Be Closed,” a track that instantly launches you into 0-gravity where you will blissfully float around for the entirety of the album. The album travels through several different dimensions of a chillwave universe. Songs such as the title track manage to wriggle into your body through your ears and hollow you out, leaving you feeling inexplicably buzzed.

The album as a whole is strong; it rarely pulls you out of its hypnosis. It’s discreetly but undeniably captivating. Greene is an artist to say the least and this is a masterpiece.

Tracklist

1. Eyes Be Closed
2. Echoes
3. Amor Fati
4. Soft
5. Far Away
6.
Before
Before
7. You and I
8. Within and Without
9. A Dedication
10. Call It Off (Bonus Track)

Free Candy

Despicable Dogs

FULL POST

Studies have shown that walking a labyrinth has similar effects on the brain as meditation, activating the right side of the brain, causing the person walking it to feel calm, relaxed and at peace. The act of walking a labyrinth gives the left hemisphere of the brain a rest, allowing the less rational, more intuitive hemisphere to take over.

Recently I decided to test this for myself, and while I didn’t reach any higher truths or a state of utmost sublimity, I must admit that it is true—I felt calm. Balanced. The best way I know how to adequately describe the experience is by listening to Ernest Greene aka Washed Out’s first full-length album, Within and Without which was released officially today.

Spacious and wraithlike, the album is polished and gleaned to synthtastic perfection. The album opens with “Eyes Be Closed,” a track that instantly launches you into 0-gravity where you will blissfully float around for the entirety of the album. The album travels through several different dimensions of a chillwave universe. Songs such as the title track manage to wriggle into your body through your ears and hollow you out, leaving you feeling inexplicably buzzed.

The album as a whole is strong; it rarely pulls you out of its hypnosis. It’s discreetly but undeniably captivating. Greene is an artist to say the least and this is a masterpiece.

Tracklist

1. Eyes Be Closed
2. Echoes
3. Amor Fati
4. Soft
5. Far Away
6. Before
Before
7. You and I
8. Within and Without
9. A Dedication
10. Call It Off (Bonus Track)

Free Candy

Despicable Dogs

I wrote about Stu McLamb’s solo-project-turned band The Love Language a while back after the release of sophomore album “Libraries.” McLamb’s first, self-titled album was completely a solo effort, recorded in a storage space on $200 worth of equipment. It’s muddy and distorted, benchmarked by boom-snare drums and heavy instrumentals that pool together to create angsty but oh-so enjoyable summer jams. I’ve linked one of my favorites below. Download it, take it for a spin, add it to your summertime playlist.

Providence

FULL POST

I wrote about Stu McLamb’s solo-project-turned band The Love Language a while back after the release of sophomore album “Libraries.” McLamb’s first, self-titled album was completely a solo effort, recorded in a storage space on $200 worth of equipment. It’s muddy and distorted, benchmarked by boom-snare drums and heavy instrumentals that pool together to create angsty but oh-so enjoyable summer jams. I’ve linked one of my favorites below. Download it, take it for a spin, add it to your summertime playlist.

Providence

Portland-based trio Unknown Mortal Orchestra has caused quite the stir on the blogosphere lately and deservedly. Their debut album dropped last week and though it’s homemade like many buzz bands of the moment, there is something about it that distinguishes it from everything else–a sort of extraterrestrial, supersonic feeling that’s especially rare in a homemade album. It feels more like the product of another time in the not-too-distant-future than something that was whipped together in a modern American bedroom. Yet it maintains a sort of dusty, second-hand vinyl quality that makes it even more enigmatic. Rowdy and delinquent it’s just distorted enough to crash-land a spot next to rock ‘n roll classics and contemporaries. With androgynous, falsetto delivered vocals that you cannot sing along with without sounding ridiculous, it manages to blend in a tasteful degree of youthful pop.

Be sure to download their remixes (including “Jesus” by Dom, “First Of tha Month” by Bone Thugs N Harmony and “Try Again” by Aaliyah).

Tracklist

1. FFunny FFriends
2.Bicycle
3. Thought Ballune
4. Jello and Juggernauts
5.How Can U Luv Me?
6. Nerve Damage!
7. Little Blu House
8.Strangers Are Strange
9. Boy Witch
10. I Want to Be Left to My Own Devices
11. Cyrus’ Theme

FULL POST

Portland-based trio Unknown Mortal Orchestra has caused quite the stir on the blogosphere lately and deservedly. Their debut album dropped last week and though it’s homemade like many buzz bands of the moment, there is something about it that distinguishes it from everything else–a sort of extraterrestrial, supersonic feeling that’s especially rare in a homemade album. It feels more like the product of another time in the not-too-distant-future than something that was whipped together in a modern American bedroom. Yet it maintains a sort of dusty, second-hand vinyl quality that makes it even more enigmatic. Rowdy and delinquent it’s just distorted enough to crash-land a spot next to rock ‘n roll classics and contemporaries. With androgynous, falsetto delivered vocals that you cannot sing along with without sounding ridiculous, it manages to blend in a tasteful degree of youthful pop.

Be sure to download their remixes (including “Jesus” by Dom, “First Of tha Month” by Bone Thugs N Harmony and “Try Again” by Aaliyah).

Tracklist

1. FFunny FFriends
2.Bicycle
3. Thought Ballune
4. Jello and Juggernauts
5.How Can U Luv Me?
6. Nerve Damage!
7. Little Blu House
8.Strangers Are Strange
9. Boy Witch
10. I Want to Be Left to My Own Devices
11. Cyrus’ Theme