Chronic Mncher


Everybody knows the
Bloody Beetroots and their grimy Italian noises. Well, there are some new wops in town. Bizzo and Alvin are two Italian producers with an aptitude for distorted walls of grunge. They formed The S back in 09 but just recently dropped their Death & Rainbows EP. What do they sound like you ask? They sound like multiple death rays charging and firing in rapid succession, laying waste to anything and everything in their path. Be careful with this unruly banger.

The S – Death & Rainbows (Original Mix) <- ♥ ♥ ♥ ♥

Oldie But Goodie Bonus:

The S – Takedown (Original Mix) <- ♥ ♥ ♥ ♥

FULL POST


Everybody knows the Bloody Beetroots and their grimy Italian noises. Well, there are some new wops in town. Bizzo and Alvin are two Italian producers with an aptitude for distorted walls of grunge. They formed The S back in 09 but just recently dropped their Death & Rainbows EP. What do they sound like you ask? They sound like multiple death rays charging and firing in rapid succession, laying waste to anything and everything in their path. Be careful with this unruly banger.

The S – Death & Rainbows (Original Mix) <- ♥ ♥ ♥ ♥

Oldie But Goodie Bonus:

The S – Takedown (Original Mix) <- ♥ ♥ ♥ ♥

I was gone for a bit. Now I’m back. Cool story, I know. If you’re unfamiliar, I’m going to be the guy that keeps you updated on anything and everything EDM. I like to keep things clear-cut. If it’s good, I’ll praise it with chortle inducing metaphors. On the other hand, if it sucks it’ll get the merciless butt of my verbal assault rifle.
In the words of Mulan, let’s get down to business.
Wolfgang Gartner. A name so prodigious it requires its own sentence. His new track is Ménage à trois, French for a sexual liaison between 3 people. Need I say more? This track bangs harder than a screen door in a hurricane.

Wolfgang Gartner – Ménage à trois (Original Mix) <-♥ ♥ ♥ ♥ ♥

If you’ve been following the dub scene at all, you already know Borgore has been killin it. Well he’s got a record label now called Buygore and it’s got some interesting talent. One of ‘em is 24-year-old Tomba, a Dutchman with a knack for filthy, grimy dub.

(for fans of Flux Pavillion and/or J. Rabbit)

Fytch & Captain Crunch – Raindrops (Tomba Remix) <-♥ ♥ ♥ ♥ ♥

BONUS:
Duffy – Well, Well, Well (Artistic Raw Bootleg) <-♥ ♥ ♥ ♥ ♥

FULL POST

I was gone for a bit. Now I’m back. Cool story, I know. If you’re unfamiliar, I’m going to be the guy that keeps you updated on anything and everything EDM. I like to keep things clear-cut. If it’s good, I’ll praise it with chortle inducing metaphors. On the other hand, if it sucks it’ll get the merciless butt of my verbal assault rifle.
In the words of Mulan, let’s get down to business. Wolfgang Gartner. A name so prodigious it requires its own sentence. His new track is Ménage à trois, French for a sexual liaison between 3 people. Need I say more? This track bangs harder than a screen door in a hurricane.

Wolfgang Gartner – Ménage à trois (Original Mix) <-♥ ♥ ♥ ♥ ♥

If you’ve been following the dub scene at all, you already know Borgore has been killin it. Well he’s got a record label now called Buygore and it’s got some interesting talent. One of ‘em is 24-year-old Tomba, a Dutchman with a knack for filthy, grimy dub.

(for fans of Flux Pavillion and/or J. Rabbit)

Fytch & Captain Crunch – Raindrops (Tomba Remix) <-♥ ♥ ♥ ♥ ♥

BONUS:
Duffy – Well, Well, Well (Artistic Raw Bootleg) <-♥ ♥ ♥ ♥ ♥

For the past two weeks or so I’ve been jammin out to this low-key Norwegian duo, Lemaitre. Smooth riffs, hard kicks and refreshingly peculiar breakdowns, they’re a sort of indie electronica. These guys are bursting with creative genius; think Ratatat meets Royksopp with a lil Deadmau5 on the side.  I can dig.

Lemaitre – Momentum
[audio: https://controlaltdelight.com/Music/WW00000MP/womp8/Momentum.mp3]
Lemaitre – The Friendly Sound
[audio: https://controlaltdelight.com/Music/WW00000MP/womp8/The%20Friendly%20Sound.mp3]
Lemaitre – Nishio
[audio: https://controlaltdelight.com/Music/WW00000MP/womp8/Nishio.mp3]
Lemaitre – Fossil Fuels
[audio: https://controlaltdelight.com/Music/WW00000MP/womp8/Fossil%20Fuels.mp3
Lemaitre – 1:18
[audio: https://controlaltdelight.com/Music/WW00000MP/womp8/1_18.mp3]

FULL POST

For the past two weeks or so I’ve been jammin out to this low-key Norwegian duo, Lemaitre. Smooth riffs, hard kicks and refreshingly peculiar breakdowns, they’re a sort of indie electronica. These guys are bursting with creative genius; think Ratatat meets Royksopp with a lil Deadmau5 on the side.  I can dig.

Lemaitre – Momentum
[audio: https://controlaltdelight.com/Music/WW00000MP/womp8/Momentum.mp3]
Lemaitre – The Friendly Sound
[audio: https://controlaltdelight.com/Music/WW00000MP/womp8/The%20Friendly%20Sound.mp3]
Lemaitre – Nishio
[audio: https://controlaltdelight.com/Music/WW00000MP/womp8/Nishio.mp3]
Lemaitre – Fossil Fuels
[audio: https://controlaltdelight.com/Music/WW00000MP/womp8/Fossil%20Fuels.mp3
Lemaitre – 1:18
[audio: https://controlaltdelight.com/Music/WW00000MP/womp8/1_18.mp3]

 

In a scene congested with mundane electro music, one mans been producing in a more intricate and abstract way. Chunky basslines, adamant distortion and relentless drops, Vancouver based Felix Cartal has been busy pioneering new strains of attention-grabbing house. Just last month, Felix dropped his newest EP, ‘Solar/Lunar,’ on Dim Mak Records and wow; I can vouch that it’s some of his best work yet. I had the pleasure of catching Felix Cartal, in all his glory, at 8Eighty8 a couple weeks ago as he dropped a stupefying barrage of musical ingenious. I caught a word with him after his set and told him my readers would roll over on their keyboards for a quick interview.

C+A+D and Felix Cartal

C+A+D: How did you get started?

Felix: Started out creating a few electronic interludes for my old band’s albums, from there I got more into the software I was using — particularly Reason, and started creating full tracks. Other DJ’s showed support for my music, and then it just sort of snowballed from there.

 

C+A+D: Which came first, DJing or producing?

Felix: Producing for sure. Never thought of myself as a DJ until recently.

 

C+A+D: What was it like touring with Wolfgang Gartner?

Felix: It was great! He’s one of the few producers who puts out amazing music consistently with every release. Really respect his work ethic, so for him to choose me as an opener for some of the dates was nothing but flattering.

 

C+A+D: Word on the street is you like Mario Kart 64, who’s your favorite racer?

Felix: Luigi. He’s such an asshole.

 

C+A+D: I noticed your hometown is Vancouver. What’s the EDM scene like there?

Felix: It’s doing really well. Blueprint is the company running things down here, and they consistently bring through amazing events. My local friends Expendable Youth are doing great things too, with a release coming out on Mad Decent soon.

 

C+A+D: What inspires you these days?

Felix: It’s always changing. But been doing a lot of online crate-digging and listening to the earlier types of electronica. Everything from Raymond Scott  to later stuff like Bernard Estardy. Fuck, I sound pretentious. Getting back into Ratatat again too!

 

C+A+D: What can we expect in the coming months?

Felix: Second EP ‘Animals’ I did with Keatch comes out next month. I did a remix for Wolfgang Gartner’s ‘Forever.’ And also, Style of Eye and I did a track called ‘The End.’ That, and working on album #2.

Felix Cartal – The Joker (Original Mix)
Acidkids – Mitch (Felix Cartal Remix)
Felix Cartal – The Riddler (Original Mix)
Valerna – Look Ma! (Felix Cartal Edit)

FULL POST

 

In a scene congested with mundane electro music, one mans been producing in a more intricate and abstract way. Chunky basslines, adamant distortion and relentless drops, Vancouver based Felix Cartal has been busy pioneering new strains of attention-grabbing house. Just last month, Felix dropped his newest EP, ‘Solar/Lunar,’ on Dim Mak Records and wow; I can vouch that it’s some of his best work yet. I had the pleasure of catching Felix Cartal, in all his glory, at 8Eighty8 a couple weeks ago as he dropped a stupefying barrage of musical ingenious. I caught a word with him after his set and told him my readers would roll over on their keyboards for a quick interview.

C+A+D and Felix Cartal

C+A+D: How did you get started?

Felix: Started out creating a few electronic interludes for my old band’s albums, from there I got more into the software I was using — particularly Reason, and started creating full tracks. Other DJ’s showed support for my music, and then it just sort of snowballed from there.

 

C+A+D: Which came first, DJing or producing?

Felix: Producing for sure. Never thought of myself as a DJ until recently.

 

C+A+D: What was it like touring with Wolfgang Gartner?

Felix: It was great! He’s one of the few producers who puts out amazing music consistently with every release. Really respect his work ethic, so for him to choose me as an opener for some of the dates was nothing but flattering.

 

C+A+D: Word on the street is you like Mario Kart 64, who’s your favorite racer?

Felix: Luigi. He’s such an asshole.

 

C+A+D: I noticed your hometown is Vancouver. What’s the EDM scene like there?

Felix: It’s doing really well. Blueprint is the company running things down here, and they consistently bring through amazing events. My local friends Expendable Youth are doing great things too, with a release coming out on Mad Decent soon.

 

C+A+D: What inspires you these days?

Felix: It’s always changing. But been doing a lot of online crate-digging and listening to the earlier types of electronica. Everything from Raymond Scott  to later stuff like Bernard Estardy. Fuck, I sound pretentious. Getting back into Ratatat again too!

 

C+A+D: What can we expect in the coming months?

Felix: Second EP ‘Animals’ I did with Keatch comes out next month. I did a remix for Wolfgang Gartner’s ‘Forever.’ And also, Style of Eye and I did a track called ‘The End.’ That, and working on album #2.

Felix Cartal – The Joker (Original Mix)
Acidkids – Mitch (Felix Cartal Remix)
Felix Cartal – The Riddler (Original Mix)
Valerna – Look Ma! (Felix Cartal Edit)


Chris Kaeser is one of those producers that actually enjoy staying under the radar. He’s creeped into Beatport’s top 10 a couple times but he’s kept relatively quite over the years. His remix of ‘Move It 2 The Drum’ is one of my all time faves. It’s got a hard beat, dutch synths and best of all, a euphoric piano piece that keeps me smiling for days.

Romain G is an 18-year-old Swiss producer. Romain is recognized for his bootlegs, in which he fuses two or more tracks skillfully and harmoniously. ‘Strobe Together’ is an interesting track, Romain utilizes Deadmau5’s ‘Strobe’ as a build for Swanky Tune’s feel good house banger, ‘Together.’

Belgian DJ Basto got his name out there when teaming up with John Dahlback to create, “Out There”. Proving himself to the world, Basto went lone wolf and created ‘Gregory’s Theme’. This song is so beautiful, it makes rainbows and butterflies seem unpleasant.

No idea who Digital Mode or Layla Moore are, but my gawd, they know how to make a hell of a track.

Swanky Tunes have been churning out tracks left and right. This new one, XOXO, really pulls on the ol’ heartstrings. I picture Lassie saving lil Timmy from the well, and then they go to get ice-cream while XOXO plays in the background.

Chuckie – Move It 2 The Drum (Chris Kaeser Remix)
Swanky Tunes vs. Deadmau5 – Strobe Together (Romain G Reboot)
Basto – Gregory’s Theme (Original Mix)
Funkerman – Fallin In Love (Digital Mode & Layla Moore Remode)
Swanky Tunes – XOXO (Original Mix)

FULL POST


Chris Kaeser is one of those producers that actually enjoy staying under the radar. He’s creeped into Beatport’s top 10 a couple times but he’s kept relatively quite over the years. His remix of ‘Move It 2 The Drum’ is one of my all time faves. It’s got a hard beat, dutch synths and best of all, a euphoric piano piece that keeps me smiling for days.

Romain G is an 18-year-old Swiss producer. Romain is recognized for his bootlegs, in which he fuses two or more tracks skillfully and harmoniously. ‘Strobe Together’ is an interesting track, Romain utilizes Deadmau5’s ‘Strobe’ as a build for Swanky Tune’s feel good house banger, ‘Together.’

Belgian DJ Basto got his name out there when teaming up with John Dahlback to create, “Out There”. Proving himself to the world, Basto went lone wolf and created ‘Gregory’s Theme’. This song is so beautiful, it makes rainbows and butterflies seem unpleasant.

No idea who Digital Mode or Layla Moore are, but my gawd, they know how to make a hell of a track.

Swanky Tunes have been churning out tracks left and right. This new one, XOXO, really pulls on the ol’ heartstrings. I picture Lassie saving lil Timmy from the well, and then they go to get ice-cream while XOXO plays in the background.

Chuckie – Move It 2 The Drum (Chris Kaeser Remix)
Swanky Tunes vs. Deadmau5 – Strobe Together (Romain G Reboot)
Basto – Gregory’s Theme (Original Mix)
Funkerman – Fallin In Love (Digital Mode & Layla Moore Remode)
Swanky Tunes – XOXO (Original Mix)